CD 1
Woodwind
Anon., Italy, 14th c.
1. Saltarello
Anon., Syria, Trad.
2. Sheperd's tune
Anon., Italy, 14th c.
3. Saltarello
Guillaume de Machaut
Ballade: Dame se vous m'estes
Anon., France, 13th c.: Chansonnier Cangé
4. Pastourelle: Au temps d'aost
Anon., France, 13th c.: Chansonnier Cangé
5. Chanson à refrain: A prisai qu'en chantant plour
Master Alexander
6. Minnesinger melody: Owe daz nach liebe gat
Thibaut de Navarre
7. Chanson pieuse: Dou tres douz non a la Virge Marie
Jehannot de Lescurel
8. Virelai: Gracïeusette
Guiraut d'Espanha de Toloza
9. Dansa: Ben volgra, s'esser poges
Anon., ca 1300
10. English Te Deum
Colin Muset
11. Chansonnette: Quant je voy yver retorner
Keyboard
Vincenzo da Rimini
12. Madrigal: Ay schonsolato ed amoroso
Anon., England, ca 1320: Robertsbridge fragment
13. Estampie
Jehan d'Esquiri
14. Chanson: Joliveté et bone amor
Conrad Paumann
15. Ellend du hast
Brass
Hermann, monk of Salzburg
16. Fanfare: Untarn slap tut den sumer wol
Guillaume Dufay
Fanfare: Ad modum tubae
Gilbert de Berneville
17. Ballade: De moi doloreus vos chant
Hermann, monk of Salzburg
Das Nachthorn
Anon., Germany 1349
Geisslerlied: Maria muoter rein¨ maït
Hermann, monk of Salzburg
Der trumpet
Strings
Anon., France, 13th c.: Chansonnier Cangé
18. Lai: Qui porroit un guierredon
Tassin (attr.)
Dance tune
Anon., 11th c.
19. Goliard melody: O Roma nobilis
Anon., Ornkey Isles, 12th c.
20. Hymn to St. Magnus: Nobilis humilis
Jacopo da Bologna
21. Madrigal: Tanto soavamente
22. Madrigal: Di nuovo é giunto
Thibaut de Blason
23. Chanson: Amours que porra
Alfonso el Sabio (attr.): Cantigas de Santa Maria
24. Cantiga 249: Aquel que de voontade Santa Maria servir,
Guillaume de Machaut
25. Virelai: Quant je sui mis
Anon. 13th c.
26. English Dance
Anon., France, 13th c.
27. La Septime estampie real
Francesco Landini
28. Ballata: Poi che da te mi convien
Guillaume de Machaut
29. Virelai: Comment qu'a moy
Anon., France, early 14th c.: Roman de Fauvel
30. Improvised fanfare
Motet: Quant ie le voy - Bon vin - Cis chans veult boire
CD 2
Percussion (medieval and renaissance)
Samuel Voelckel: Newe touche weltliche
31. Courante I
Courante II
Curtal - Tielman Susato
32. Chanson: Ce qui souloit
Courtaut
Giorgio Mainerio: Il Primo Libro di Balli 1578
33. Caro ortolano
Johann Schein: Banchetto Musicale 1617
34. Padouana
Antonio Gardane: Rhaw's bicinia Gallica et latina 1545
35. Bicinium: Le cuer de vous
Guillaume le Heurteur: Rhaw's bicinia Gallica et latina 1545
36. Bicinium: Mon petit cueur
Michael Praetorius: Terpsichore 1612
37. Branle double I
Branle double II
Branle double III
Claudin de Sermisy: Attaingnant's Second Book: Chansons musicales 1633
38. Chanson: Amour me poingt
Guillaume le Heurteur: Attaingnant's Second Book: Chansons musicales 1633
39. Chanson: Hellas ! Amour
Anthony Holborne: Pavans, Galliards, Allmains and other short aeirs 1599
40. The Fairie Rounde
Keyboard
Pedro de Soto
41. Entrada réal
Conrad Paumann: Fundamentum
42. (a) Prelude: Ascensus simplex
Regal - Anon., Germany, 15th c.: Buxheim Orgelbuch
(b) Min Hertz hat sich seb gefröwet
Gionanni Salvatore, Naples MS
43. Toccata
Anon., 16th c.: Dublin Virginal Book c. 1570
44. Variation on the Romanesca
Giorgio Mainerio: Il Primo Libro di Balli 1578
45. Ballo Francese
Brass
Claudio Monteverdi: Orfeo 1607
46. Toccata
Toccata
Heinrich Biber: Sonata for trombone, two violins and continuo
47. Adagio and Allegro
Michael Praetorius: Musae Sionae IV
Lobt Gott ihr Christen alle gleich
Girolamo Frescobaldi: Canzoni da sonare, 1634
48. Canzona for "due canti"
Pierre de Machincourt: Rhaw's bicinia Gallica et latina 1545
49. Bicinium "Amor organ"
Girolamo Frescobaldi: Canzoni da sonare, 1634
50. Canzona Quarta for "basso solo"
Strings
John Dowland
51. Orlando Sleepeth
Thomas Mace: Musick's Monument 1676
52. A Fancy - Prelude or Voluntary
Giorgio Mainerio: Il Primo Libro di Balli 1578
53. Ballo Anglese
Anthony Holborne: The Cittharn Schoole
54. Galliarde for cittern and bass
Alessandro Piccini: Intavolatura di Liuto, et di Chitarrone
55. Toccata prima
John Dowland, Braye bandora MS, c. 1600:
56. Galliard
Jane Pickering's Lute Book
57. Duet "Le Rossignol"
Luis de Milán: El Maestro, 1536
58. Fantasia XI
Anon.: Braye Lute Book c. 1560
59. Pavana (Variation on the Romanesca)
(a) Viol (consort) - William Byrd:
60. Fantasy in four parts
Thomas Ford:
Duet "Forget me not"
Anon., 16th c.
61. La Volta
Intérpretes: The Early Music Consort of London . Andrew van der Beek (alto cornamuse, alto crumhorn, bass curtal, tenor kortholt, great-bass rackett, alto recorder, great-bass recorder, soprano rauschpfeife), Paul Bernard (organ), Roger Brenner (sackbutt, tenor sackbutt), Oliver Brookes (bass crumhorn, bowed lyre, alto rauschpfeife, bass rebec, bass recorder, tenor recoder, tromba marina, viol, bass viol, violone), David Corkhill (dulcimer, side drum, kettledrums, nakers, tabor, tambourin, mediaeval triangle with rings, xylophone), Christopher Hogwood (fretted clavichord, harp, irish harp, harpsichord, hurdy-gurdy, organ, portative organ, regal, tabor, virginal), Trevor Jones (bass viol), Michael Laird (buisine, clarion, cornett, alto cornett, mediaeval cornett, soprano sackbutt, natural trumpet), Alan Lumsden (cowhorn, tenor cornett, tenor flute, quart-bass rackett, quart-bass recorder, soprano recorder, tenor sackbutt, serpent, oriental trumpet, slide trumpet), Catherine Mackintosh (treble viol), David Munrow (soprano cornamuse, bass courtaut, alto crumhorn, soprano curtal, tenor curtal, flute, alto flute, alto gemshorn, bass kortholt, reed pipe, bagpipes, bladder pipes, six-holed pipe, double pipes, pipe, tenor rackett, sopranino rauschpfeife, alto recorder, tenor recorder, alto shawm, oriental shawm, soprano shawm, tenor shawm, tabor), Martin Nichols (bass sackbutt), Nigel North (bass viol), Gillian Reid (chimes bells, harp with "bray" pins, psaltery), Mary Remnant (gittern), Jane Ryan (bass viol), Eleanor Sloan (lyre, fiddle, treble rebec, violin), Malcolm Smith (natural trumpet), Robert Spencer (bandora, chitarrone, guitar, lute), John Turner (alto flute, panpipes, bass rackett, bass recorder, soprano recorder), James Tyler (ceterone, citole, cittern, tenor crumhorn, bass flute, jew's harp, lute, long-necked lute, mandora, orpharion, soprano rauschpfeife, tenor recorder, tambourine, theorbo, vihuela, tenor viol), Polly Waterfied (violin), Iaan Wilson (buisine, cornett)
David Munrow, dir.
Duración: 51' 12" + 58' 12" = 1h 49' 24"
Lugar y fecha de grabación : Abbey Road Studio, Londres, [marzo, abril, septiembre, 1973, febrero /1974]
Fuente:
medieval.org Enlace descarga:
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